By:
K.M. Weiland
People
hate change. We may sit around and wish our lives were different, but when the
rubber really starts streaking the tarmac, we usually find ourselves wishing we
could just hang out here in our safe and familiar haunts.
Characters
are no different. They resist change just as staunchly as any of us—which is a
good thing. Out of resistance comes conflict; out of conflict comes plot. This
is just the first of many ways in which plot and character arcs are
inextricable from one another. As Stanley Williams so
aptly
explains it in his book The Moral
Premise:
A good way to conceive of movie stories, like Die Hard and Love, Actually, is to think of the visible story as the metaphor for the invisible story.
In
other words, the plot is all about the character’s inner
journey, whether the connection is immediately evident or not. Plot, in its
simplest manifestation, is all about the protagonist’s thwarted goal. He wants
something, and he can’t have it right away, so he keeps right on trying.
The
Change Arc, at its simplest manifestation, is all about the
protagonist’s changing priorities. He realizes the reason he’s not getting what
he wants in the plot is because either a) he wants the wrong
thing or b) his moral methods for achieving what he wants are
all wrong. In Dramatica, Melanie Anne Phillips and
Chris Huntley point out:
One of the most common mistakes made by authors of every level of experience is to create a problem for their Main Character that has nothing to do with the story at large. The reasoning behind this is not to separate the two, but usually occurs because an author works out a story and then realizes that he has not made it personal enough.
The
Lie the Character Believes
To read the rest of the post, click here:
~*~
If
you missed my writing & marketing tweets and retweets yesterday, here they
are again:
- Amy Sullivan: 45 Ways to Help Your Favorite Authors Sell More Books http://ow.ly/tR61T
- Pricing Your Indie Book Correctly | IRC 2014 – Indie Romance Convention http://ow.ly/tRIBE
- Creating Stunning Character Arcs, Pt. 2: The Lie Your Character Believes - Helping Writers Become Authors http://ow.ly/tRNMa
- The rise of the literary anti-heroine » MobyLives http://ow.ly/tRNWW
- 3 Amazon Tips for New Authors (and maybe old ones too) | Lindsay Buroker http://ow.ly/tROgQ
- Self-Publishing's Share of the Kindle Market by Genre | Failure Ahoy! http://ow.ly/tRODu
- BookBub’s Favorite Publishing Resources - BookBub Unbound http://ow.ly/tRPBN
- Some Differences Between Ebooks, Enhanced Ebooks, And Apps | Digital Book World http://ow.ly/tRPJY
- The DNA of a Successful Book: INFOGRAPHIC - GalleyCat http://ow.ly/tRPS7
- Issues on the Ether: Is Self-Publishing a Flying Leap? | Publishing Perspectives http://ow.ly/tRQ5y
- The Real Cost Of Free Stuff - Heidi Cohen http://ow.ly/tRQPY
- Word for Word: Don’t buy the myth about ebook slump - Book News | http://ow.ly/tRRoj
- These Famous Authors Made It Okay To Commit Grammar No-No's http://ow.ly/tRRS2
- Hugh Howey and the Indie Author Revolt http://ow.ly/tSdS3 Mark Coker, founder of Smashwords offers his two cents
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