By:
Dell Smith
Writers,
I ask you: What do you see when you write your characters? Are they fully
formed, in-the-flesh people that you conjure completely each time you sit down
to write? Are they composites of people you know or have known? Are they based
on pictures of strangers or movie stars?
How
much do you describe them? Do you have to describe characters at all? If you
don’t, how do you convey them if not by physical detail? By showing their
actions, other character’s reactions to them, or a combination of both? In the
story La Reine Hortense by Maupassant, there is this line: “He was a gentleman
with red whiskers who always went first through a doorway.” Physical detail
mixed with action. This gives me, the reader, a good start to understanding
this gentleman. I want to go through the door after him to see what happens
next.
When
I’m writing a story or novel, I don’t picture my characters in the whole. I see
them in bits and pieces—in pixels—depending on where I aim my spotlight in the
scene. There is a moment where you pass your creation to your reader’s
imagination and they take the baton of character description and run with it.
And
isn’t this suspension of disbelief (or rather, flight of belief) part of the
narrative language of writing? . . .
Read the full article HERE!
~*~
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you missed my writing & marketing tweets and retweets yesterday, here they
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