By:
Jody Hedlund, @JodyHedlund
I
recently shared some Point of View Basics that every writer should know. As
always, such posts raise even more questions! I'll take some time to answer a
few of those questions that dig deeper into more complicated POV issues.
Question: What is your
view of having the same scene in both the heroine and hero's POVs? I'm working
on a scene at the moment that I'd like to tell in both POVs to contrast the
girl's over-analytical, dramatizing POV with the guys low key "what you
see is what you get" POV. But I'm not sure if it's a good idea.
My Answer: As far as
having the same scene in two POVs, that will depend on your voice and story. I
think it can be done, and I've seen it done well (and have done it myself on
occasion). One caution is to make sure not to jump back in time when switching
POV's, but instead to continue the scene at the point where the other character
leaves off.
I
also see some writers switching POV mid-scene as a cop-out, to avoid having to
do the hard work of SHOWING what the other character on stage is feeling. It's
much easier (but not necessarily better!) to change POV and hop over into the head
of the other character and use internal narration for the reaction. While not
wrong to switch, we have to make sure we're not trying to short-cut the more
complicated job of showing reactions and feelings.
Question: When writing a
scene that involves multiple POV characters, how can a writer determine which
character is BEST to use for telling the scene?
My Answer:
. .
.
Read the full article HERE!
~*~
If
you missed my writing & marketing tweets and retweets yesterday, here they
are again:
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- Secondary Characters: An Important Tool in a Writer’s Toolkit http://ow.ly/C9pbh
- Anne R. Allen's Blog: 10 Things that Red-Flag a Newbie Novelist http://ow.ly/C9pdW
- Author, Jody Hedlund: A Few Tips for More Complicated POV Issues http://ow.ly/C9pkf
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- Karen Woodward: Lester Dent: How To Write A 6,000 Word Short Story: The First Quarter http://ow.ly/C9q9l
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