By:
Shaunta Grimes
Last
week, I introduced you to the 3-act, 8-sequence story
structure. The three acts are, basically, your beginning, middle, and
end. The middle is much larger than the beginning and end, so Act II is divided
into two parts. When you divide each of those three (but really, four) acts in
half, you get eight sequences.
ACT I
Just
about every novel starts out by letting the reader into the main character’s
(MC) normal world. If you’re writing a contemporary story with a contemporary
situation, then you won’t need a whole lot of world building in Act I. If
you’re writing science fiction or fantasy, you’ll probably need quite a lot
more.
By
the end of sequence one, the reader should know and identify with the MC. At
the end of this sequence is also generally when the inciting incident happens
(although it can happen earlier.) Remember, the inciting incident is the first
really unusual thing that happens to the MC. Unusual for his world, not yours
or mine.
In
sequence two, the MC deals with the inciting incident. They process it.
Remember, the inciting incident is a question: do you want into
this story. The answer might be no at first. That’s often called the refusal of
the call. It might be no a bunch of times. It might an immediate, knee jerk yes
(think about Katniss volunteering as tribute in The Hunger Games.) Eventually,
the MC will get to yes, somehow. Even if it’s coerced or not really
their choice. How they get to that yes is your second sequence.
The
second sequence usually ends with the lock-in–the answer to the question
of the inciting incident. As I’ve said, that answer will be yes somehow.
In
Act I, your MC might also meet a mentor. This would be someone that
will help the MC get to the yes of the lock-in, and also help throughout the
story. Examples of mentors are Hagrid in Harry Potter, Haymitch in The Hunger
Games, and Gandolf in The Hobbit. You might also introduce the reader to some
of the MCs allies and enemies. This about Harry Potter meeting Ron and Hermione
on the train, or Dorothy meeting her friends on the yellow brick road.
Your
MC might have their first test–something to test their
resolve not to accept the call to action of the inciting
incident.
ACT
II-1
In
the first part of Act II, your MC is just starting away from their real world
and into the special world of the story.
.
. .
Read the full article HERE!
~*~
If you
missed my writing & marketing tweets and retweets yesterday, here they are
again:
- What Milestones Do You Watch for? | Jami Gold, Paranormal Author http://ow.ly/HDna3
- Peter Morwood, Gun Safeties for Writers, or, does the gun even... http://ow.ly/HDngu
- How to Write a Novel (3 Acts and 8 Sequences) http://ow.ly/HDo0l
- Hero's journey http://ow.ly/HDosp The Hero's Journey Outline
- 5 Mistakes to Avoid If You Want to Be a Successful Author http://ow.ly/HDunN
- Make a Living Writing: 105 Ways to Make Money Writing http://ow.ly/HDuXv
- The Ultimate Copy Checklist: 51 Questions to Optimize Every Element of Your Online Copy [Free Poster] - Copyblogger http://ow.ly/HDvkJ
- How
to Get Dreams Out of Your Head [And a Video of Me Wearing Tights]
: @ProBlogger http://ow.ly/HDvCY - Grammar
Girl
: When to Use a Comma Before 'Because': : Quick and Dirty Tips ™ http://ow.ly/HDvZy - How A Series Can Skyrocket Your Career with Geri Krotow | Romance University http://ow.ly/HDztN
- How Dreams and Habits Make You a Wildly Productive Writer http://ow.ly/HDzYE
- Having a Case of Self Pub Remorse? | Behler Blog http://ow.ly/HDAb1
- Business Musings: What Traditional Publishing Learned in 2014 | Kristine Kathryn Rusch http://ow.ly/HDAtJ
- Strange Ink: On rejection, revision, and deciding not to http://ow.ly/HDAM3
- My Favorite Digital Tools in 2014 | Jane Friedman http://ow.ly/HDB0B
- Like
Pushing an Elephant Into a Volkswagen - The Morning
News http://ow.ly/HDBnP "Writers who haven’t quit their day jobs..." - Writer Unboxed » How To Become a Writer http://ow.ly/HDBG3 "Change is hard, even good change..."
- Non-fiction
books everyone should read –
infographic | Books | The Guardian http://ow.ly/HDCrN - Fiction University: Weaving Social Narratives Beyond the Page http://ow.ly/HDDqp
- What Agents, Editors and Art Directors Look For Online - Guide For Kidlit/YA Writers & Artists - http://ow.ly/HDE5P
- Digital
Book World
surveys authors - 'Risks, Rewards, Commitment' | The Bookseller http://ow.ly/HDEjh - What Drives a Story: Plot or Characters? | Jami Gold, Paranormal Author http://ow.ly/HDFSX
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